Bryan Singer Talks Apocalypse Backlash:

apoc

During a recent interview with IGN, X-Men: Apocalypse director Bryan Singer discussed the backlash over how Apocalypse appeared in the X-Men: Apocalypse trailer:

On Apocalypse’s voice: “[The first X-Men: Apocalypse trailer] was simply Oscar using his normal voice — which is wonderful; his performance is fantastic — but that was never the intention. We just needed those words to govern the first teaser. So people thought, ‘Oh, wait, is that going to be his voice during the whole movie?’ It’s like, no, but to tell the story of the first teaser, we needed the voice, and I hadn’t recreated the voice yet. What I’m doing is something very unique. It hasn’t been done before. We’re rerecording his entire performance because the suit’s creaky and makes all kinds of noise, you can’t really use any of it anyway. But I want his performance. So he’s being recorded in ADR using a standard Sennheiser microphone, but also with a bass mic to his right cheek and a bass drum mic to his left cheek. These two microphones have the ability to pull vocal range out of his voice that the human ear cannot hear. And I can take that vocal range that I’ve now recorded, and I can pull it and use it to augment his voice — and that with a little digital magic can create a voice that’s both completely governed by his performance but is not natural. It ebbs and flows and moves through the movie, and changes, so he doesn’t just have one single voice. He speaks with different voices depending on different moments in the film. So it’s really kind of cool. It’s the first time I’ve ever had the tools to sculpt a performance in post-production, that was already given to me on set and chosen in the cutting room.”

On Apocalypse looking purple in his first photo: “There was an image released on Entertainment Weekly, where the effect hadn’t been put in yet, so everyone was — the effect has a pink light on it, and everyone got lit up pink, so people thought Apocalypse was going to be pink. I was like, ‘No, no, they’re all pink. Take a look. Everyone in the picture is pink. It’s a pink picture.’ They maybe just should have taken the pink out of the picture — I should have taken the pink out of the picture. I’m going to take some blame for that. My fault, not Entertainment Weekly’s. That’s the picture I gave them.”

On his size: “So then people were like, ‘He’s small.’ I’m like, ‘Okay, I got the same s*** when I cast a six-foot-three actor to play five-foot-four Wolverine. I got the same s*** when Quicksilver’s very sweet, 1970s costume was released on an Empire Magazine cover.’ You know, every time. I could have made him a giant through the whole movie, or some muscle-bound guy who can’t act — I could always do that. But the reality is, among his many powers — and you will see him change size — but among his many powers is his power of persuasion, and it was very important that he’d be able to connect with his horsemen, at their level, and that he’d be played by a guy who can actually act like Oscar, who’s a fantastic actor.”

On Apocalypse as a false god: “[Apocalypse is] kind of the opposite of Christ, actually. Christ would have come years after him, by the way. Our premise is he stomped around ancient Egypt, and that’s when he is buried and awakens in 1983. He’s kind of more the God of the Old Testament, the vengeful God who wants the world in a certain order and wants to be worshipped — but he’s also forgiving. He’s also a false god, which makes him kind of like a cult leader. So [Apocalypse actor Oscar Isaac] and [writer/producer Simon Kinberg] not only studied religion but also studied the nature of cults and how they function. And that helped inform us how he chooses his Four Horsemen. Because in his mythology he always has four protectors and followers — because he does have moments of vulnerability, which you’ll see in the movie.”

On what the film is about: “This movie is ultimately not just about the defense of the world itself, but it’s also about the formation of the X-Men. We’ve never really seen that. In X-Men: First Class, there’s a group that forms for the CIA, and most of them are killed. Here, we get to see a reluctant Professor Xavier actually be given motivation to form a group that will ultimately become the X-Men. We see the birth of that in this movie. So this movie is the conclusion of six movies, in a way, for me, personally, but it’s the birth of a whole other idea.”